etc 2017.05.26fr 23:00-02:00 @ WNUR,
Evanston-Chicago
Ben Vince...
Hype Williams - Dream City (New Mix)
Bianca Scout - Patience
Klein - ???
Ben Vince - Kangeroo Plaza
Arca - Piel
Naaahhh - My Theme
Tomaga - Bachelor Machines
Afasia Yuri - Tranceformation
Shinichi Atobe - World 5
Don't DJ - Evolve
Chevel - Say What
Ben Vince - Transition
Electric Elizabeth - Malfunctioning Amp
Kailin - Circling
Cooly G - Hand Control
Demdike Stare - FullEdge (eMpTy-40 Mix)
Charles Hayward - Spinning On An Atom
CAN - Mushroom
Turn No Into Yes...
Kassem Mosse + Lowtec + Perm + Diashi
no setlists
m50...
Carlos Casas : Avesta : Pyramid Of Skulls : Discrepant
Shielding : Morgonsekvens
Dreamlogicc : Video Drones : MDS005 : Main Drain Studios
Soukie & Windish : Head Up My Dear (Kalabrese Dub Mix) : LOOM - Remixe
: URSL
Dast : Skulkyoe : Emozioni : Souvenir
Koen Hoets : Nostalgia : Datum Plano : Oblique
kuf : mantra
Piiptsjilling : Bernehan : Bernihan : Piiptsjilling
Koen Hoets : Datum Plano : Datum Plano : Oblique
Submersible Machines : Abbysal Plains : Waypoints : Photic Fields
+plattform : Morne : Twelve : Ploink
Robert Hood : Pneuma : Paradygm Shift : Dekmantel
Johannes Albert : Cottbus : Cottbus : Corp
Call Super : Depicta : Depicta : Houndstooth
kuf : Span
kuf : Djembe : Imperfektionism : Under Molnet
Perbec : Come On With Me (Inst. Mix) : Come On With Me : ifach
Cold : Dialogic : Exiles : AE
Half Nelson : Temptation : First Step : Breaker Breaker
PTU : Lizard : A Broken Clock Is Right Twice A Day : trip
Schizophrenia : My Splendid Idea (With Rude Yoghurt Flange) : My Splendid
Idea : Mighty Force
Natalie Beridze : Those Things (Thomas Fehlmann Remix) : Love Is Winning :
Monika Enterprise
lifetime subscription
it always starts the same: you become a part of life.
you have no idea of what was there before or what you were doing, and yet,
that's it, you can now sense that you are within something moving, breathing,
heart pumping. something that sings, that speaks, that whispers and screams,
all at the same time. an ocean of noise and forces.
you might not like that noise, but you're inside it now, and even, you are
making noise too. and just like that, the ocean got a little bit louder. again.
this thing called life.
from the void, you start to be. from the void, you're dropped in the middle
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42. yellow leaves and red curtains. some relief then, no more pain. you're
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you have the right to believe that the spoon does not exist. that the cake
is a lie.
after all, you did felt these breaches of light when you took the red pill.
when you felt love, or whatever that was, that time, that time or that time.
when you encountered art, no matter its form, that time, that time or that
time. and you do remember very well when you heard that timeless loop in the
zukunft morning for the first time.
and you started to wonder if you should not have had more from the sunset.
as charles b. would say, you could unlearn the teachings of the church, state
and educational system. you could be here to drink beer. to kill war, and
everything that stands in your way. get rid of the fear, and embrace the unknown.
to laugh at the odds and live your life so well that death will tremble to
take you.
life is rich, and full of mysteries yet to discover.
see you, wanderer.
GRAVITY
some things are heavy and some are not. why is it like this? style for instance
seems to have no weight as long its timely and modern. gravity might change,
but style endures. it's not how low you go, but where and when you show up.
temporarily the peripheric mainstream may attract more likes then the contemporary
self-contempt. gravity can be a bigger enemy then yourself. don't let gravity
get you down!
mix mup's new 12" is fighting for a world where gravity is for everyone,
regardless of rpm, bpm or bitrate. in this times mix mup and mikrodisko are
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M12 vinyl slices will beat the terrestrial gravity! hover the spoon. over
the moon.
GHOSTS FROM THE FUTURE AND SPIRITS FROM THE PAST COLLIDE IN THIS SCI FI FIELD
RECORDING EXPERIMENT.
Inspired by the common task (Fedorov) and the people of Pamir in Tajikistan,
filmmaker and sound artist Carlos Casas deconstructs far away sights and sounds
to create a unique field recording experiment that equally worships past,
present and future traditions.
Music and sounds recorded and mixed under the spell of Nikolai Fedorov and
inspired by the teachings of Jomboz Dushanbiev. Nikolai Fedorov thought the
Pamir to be the cradle of humanity, the hidden and forgotten nest, a Pyramid
of skulls that holded the secrets of past human kinship. He believed that
most of Asian myths of human origin pointed the Pamir region as their inception.
For the Chinese, Indian, and Semitic myths that that mountainous region of
Central Asia, often referred to as 'the roof of the world' was the key to
understand and start his resurrection plan.
AVESTA
A distant wind, with sounds of howling dogs and wolfs, wind becomes loud,
sounds of birds in a distance confuse with wind, distant sounds of wolves,
a distant radio sound is becoming clearer, a voice in Farsi is commenting
and giving news, while a sound of working the land, earth working, sounds
mix with the sounds of dance music pop music from the radio, we move inside
and we hear a praying session, a funeral prayer, we hear the sound of a fire
mill, and as we move to another space we hear a women singing a lullaby for
a child, on a distance room we hear the voice of an old man speaking in Bartangi
language, Sound of a Mill, becomes a music sound of low key and sustain drone
sound, melancholic drone, with sound of room with a TV set on, the film The
Bear is on, the old man voice comes back, while the film continues, Farsi
voice in the film. And the sound of the mill returns, a loop and continues
mill sound takes over.
TRIUNE GOD
A water current is rhythmically flowing, while a chorus of female voices singing
Dargillik, Lallaik, gets confused with electronic produced sounds, and interruptions
or glitches like of digitally archived material, we hear a small river or
water flowing, some voices appear, static sounds and a mechanical alarm sound
becomes louder, like a mechanical beep, sound of daf or frame drum, a women
voice start singing a lullaby, while we hear a rhythmic sound of cradle swinging,
electronic sounds and static distortions become present, providing a confusion
like a recording machinery, interfering with the voice, a rhythmic pattern
of electronic beeps and clicks appear and sound of water flow returns, Become
more intense, an artificial rhythm electronic pattern becomes accelerated
and gets interrupted by water flow again, to close again in a crescendo of
bursts, a zooming and bursting booming starts, music compose of glissandos
like voices weathered from the past, a slow tempo melody of a distorted piano
sound and the sound of rain in the background, and storm starts while the
melody continues, the storm takes over.
Siponj Variations
MADOH
THE SOUND OF GHIJAK with the voice of Jonboz singing, a background sound flourishes
in the back, a classic repertoire, and bells arrive followed by a rubab played
simultaneously with a daf, a rappoh, followed by lalaik tanboh, nolai tanbur,
Maddoh intertwines with electronic interferences.
Dargilik Variations
Jonboz offers a rendition of dargillik classic. Thanks to Theodore Levin,
Fairouz Nishanova, Zulobi RIP, Hichigh and Siponj villages and its
inhabitants without whom this recordings and experience would have never existed.
Special thanks to Saodat, the princess of Turkestan, for being there for me,
sharing and opening all these worlds.
Language:
Bartangi - Dirushani - Rushani family of Pamir languages, ancient branch of
eastern Indo European branch
Carlos Casas about Nikolai Fedorov:
Fedorov thought the Pamir to be the cradle of humanity, the hidden and forgotten
nest, a Pyramid of
skulls that holded the secrets of past human kinship, He believed that most
of Asian myths of human origin pointed the Pamir region as their inception.
For the Chinese, Indian, and Semitic myths that that mountainous region of
Central Asia, often referred to as 'the roof of the world' was the key to
understand and start his resurrection plan, There he thought the cradle of
the human race might have been located; he wanted to make a Russio-European
expedition to excavate and discover the bones of these early men and by doing
so not only provide a tangible proof of human kinship but also unite Russia
and Europe. […]
For Fedorov Homo sapiens was a weak animal appalled by the forces of nature,
and subjected to a senseless and endlessly recurring cycle of birth, procreation,
death and disintegration. Yet God had endowed him with Reason and so it was,
his duty to introduce some rational order into this irrational universe. He
could and should further transform nature from 'a temporary enemy into an
eternal friend'. Unfortunately – and this was one of the major causes
of human disunity – knowledge had become divorced from action.
Like Karl Marx, his coetaneous, Fedorov thought that the intelligentsia should
change nature, expand it and transcend it, studying it was just a first step,
to change it, he was disappointed and dissatisfied with their inability to
propel change. However, he envisaged changes of far reach ideas from those
propounded by Marx. Between his disciplines we can highlight Konstantin Eduardovich
Tsiolkovsky who visited Fedorov extensively at the Library at Rumyantsev Museum
and whom went to become essential to understand men’s journey to space,
and that will be the strain to understand Russian space program, and 1961
first journey into space by Yuri Gagarin.
Fedorov was equally critical of both capitalism and socialism because both
institutionalized the struggle for mere material possessions. Wealth and poverty
were surely less important than life and death, and humanity's childish lust
for 'toys' was the sign of its mental and spiritual immaturity. The 'Intelligentsia',
according to Fedorov, studied nature without giving any thought about how
to change the world to become perfect, better. They studied causes without
considering the ends. No higher purpose guided their often random scientific
research. So whenever this intelligentsia acted and applied their knowledge,
it was to promote industry which manufactured unnecessary consumer goods
(the possession of which merely increased the gap between the 'haves' and
the 'have knots'); or, worse still, they applied their knowledge to devise
abominable weapons which increased distrust and hatred between nations. Universities
were nothing more than 'the backyards of factories and army barracks, that
is, serving industrialism and militarism'. To protect their wealth, the rich
promulgated laws, set up courts of justice, established police forces and
other unbrotherly institutions. As to the poor, they rationalized their envy,
greed and frustration by turning to socialist theories and violent revolution
overturning the power structures without changing men’s ability to change
nature and the world. All Matter is the dust of ancestors, for Fedorov everything
that ever lived was to be channeled and brought back to live anew.
Whatever topic he wrote about, Fedorov brought in his main idea of the Common
Task – how to achieve universal brotherhood, rationalize nature instead
of merely exploiting y her bounties, overcome death, resurrect the ancestors
and create a united humanity worthy of governing the universe. The obsessive
emphasis on the duty of the sons to resurrect their forefathers can possibly
be ascribed to his traumatic childhood experience of losing both his father
and his grandfather at the age of four, and to a subconscious guilt complex
for having failed to keep them alive through adequate love. However, there
is also a theoretical reason for his emphasis on filial love; for although
humans share with other
animals both sexual love and love for their offspring, only human adults remain
tied by affection to their parents when they no longer need their protection
in order to survive.
For Fedorov the Pamir was the center of the worlds unrecorded history, as
the place where he envision the rebirth and where thought older men was buried.
The Pamir were for Fedorov like a Pyramid of Skulls, a mountain of humanity
sedimented one on top of the other, he forsake a vision of humanity where
all people will be resurrected and all will be able to share the world, this
idea of the common task, is probably one of most radical theories I have ever
grasped, its incommensurable vision is so far reached, that is hard to understand,
way beyond its spiritual, theological and technological interpretation, its
full comprehension enters a new realm of humanism.
-Carlos Casas. 2017